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Square dancing through the tulips

By 
Ian Bell
Reading Time: 3 minutes

Published: October 17, 2002

KILLARNEY, Man. – When people think of Holland, images of tulips and

windmills commonly leap to mind.

But visitors to Holland who tiptoe past the tulips might be surprised

at what they find.

Square dancing, part of North American culture for more than a century,

was transplanted to Holland decades ago and has become something of a

passion for people such as Piet Schippers, who was recently in Manitoba

visiting friends.

“It’s my whole life,” he said.

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He and his wife Alie attended their first square dance in Holland in

1986, at the invitation of friends.

Piet was soon smitten with the dance style. Alie shared his interest,

but not with the same passion.

“I like the music, I like the style, but I don’t like to go every

week,” she said, revealing that her husband is gripped by an interest

in the music, the apparel, the dance and the lore of cowboy culture.

It’s hard to describe Piet’s fascination, other than to note that he

owns a covered wagon and an assortment of other western paraphernalia

accumulated over the years.

He even has a sheriff’s badge, made for him by a friend. And he is a

sheriff, although not quite the kind most North Americans would think

of.

The square dance club that the Schippers joined in 1986 holds weekly

dances from September to June. They are fashioned after the ones in

North America.

There is a dress code and a code of conduct.

Men who are dancing must have long-sleeved shirts, and are not allowed

to roll them up, regardless of how hot it gets in the dance hall. Hats

of any kind, including cowboy hats, cannot be worn while dancing.

Cowboy boots are taboo on the dance floor, for both men and women.

Women have to wear dresses with petticoats. They also must wear

stockings, which can cause some discomfort on hot nights.

It’s all part of the etiquette established by the square dance club,

which calls itself the Tulip Twirlers.

“You’re wearing stockings, hot or not hot,” Alie said. “The young

people, they don’t like that.”

Alcoholic beverages are not allowed until after 10 p.m. After all, what

woman wants to dance with a man whose breath reeks of booze?

The rules are enforced by the sheriff, who is none other than Piet, the

man with the badge. He once brought the law to bear on Alie for having

an alcoholic drink a few minutes before 10 p.m.

He seems like an affable man, but the retired customs officer can also

be a no-nonsense kind of guy.

“If you like to make friends, go square dancing,” he said. “If you like

to lose them, become a sheriff.”

Piet is fond of his star and his role as sheriff, which he has filled

for 11 years, despite the hard-nosed requirements of the volunteer

position.

“When I stop dancing, they don’t get the silver star,” he asserted.

“It’s mine.”

Once a year, the Tulip Twirlers dance club holds a special square dance

that extends over two days. Invitations are sent to other square dance

clubs around the world.

The club even brings in callers from other countries. The cost of

bringing in a caller from North America illustrates the club’s

commitment to square dancing. The Tulip Twirlers pay the caller’s

$1,500 flight plus meals and accommodations.

A video shown by the Schippers’ Canadian hosts hints at why Piet has

such a strong interest in the dance, music and other traditions

stemming from the cowboys and pioneer settlers of rural North America.

The video shows square dancing in Holland, and the country’s canals and

flower gardens, but part of it is also about the tribute Holland paid

to Canadian war veterans two years ago to commemorate the 55th

anniversary of Holland’s liberation from German occupation.

Thousands of Canadians died in the fighting, forging a unique bond

between Canadians and the Dutch, and for people like the Schippers, it

aroused an interest in North American culture.

“It started when I was 12 years old, just after the end of the Second

World War,” Piet said. “I would listen often to the western and country

music.”

And he still does.

About the author

Ian Bell

Brandon bureau

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